Although Carson McCullers camouflaged her love for women in her fiction, gay and lesbian themes are inarguably present in her work. The loneliness that her characters face takes on allegorical intensity, and it is even more potent due to her own sexual confusion and alienation. Married twice to the same man and falling in love repeatedly with both women and men, McCullers wrestled with bisexuality throughout her personal and literary life. Her deepest attachments were to her husband Reeves McCullers; David Diamond, a musician-composer in love with both McCullers and her husband; and Anne-marie Clarac-Schwarzenbach, a Swiss writer. All three of these love interests required that McCullers deal with complicated and ultimately destructive triangles. Given that fact, it is no surprise that she created fictional worlds peopled with characters engaged in three-way relationships. In her novels, Mick (The Heart Is a Lonely Hunter), Frankie (The Member of the Wedding), Miss Amelia (The Ballad of the Sad Cafe) and Weldon Penderton (Reflections in a Golden Eye) also reflect the author's sexual ambivalence and inability to fit into the prescribed social structures of the South.