Skip to main page content
Access keys NCBI Homepage MyNCBI Homepage Main Content Main Navigation
. 2014 Nov 12;9(11):e112562.
doi: 10.1371/journal.pone.0112562. eCollection 2014.

The Vocal Repertoire of Adult and Neonate Giant Otters (Pteronura Brasiliensis)

Affiliations
Free PMC article

The Vocal Repertoire of Adult and Neonate Giant Otters (Pteronura Brasiliensis)

Christina A S Mumm et al. PLoS One. .
Free PMC article

Abstract

Animals use vocalizations to exchange information about external events, their own physical or motivational state, or about individuality and social affiliation. Infant babbling can enhance the development of the full adult vocal repertoire by providing ample opportunity for practice. Giant otters are very social and frequently vocalizing animals. They live in highly cohesive groups, generally including a reproductive pair and their offspring born in different years. This basic social structure may vary in the degree of relatedness of the group members. Individuals engage in shared group activities and different social roles and thus, the social organization of giant otters provides a basis for complex and long-term individual relationships. We recorded and analysed the vocalizations of adult and neonate giant otters from wild and captive groups. We classified the adult vocalizations according to their acoustic structure, and described their main behavioural context. Additionally, we present the first description of vocalizations uttered in babbling bouts of new born giant otters. We expected to find 1) a sophisticated vocal repertoire that would reflect the species' complex social organisation, 2) that giant otter vocalizations have a clear relationship between signal structure and function, and 3) that the vocal repertoire of new born giant otters would comprise age-specific vocalizations as well as precursors of the adult repertoire. We found a vocal repertoire with 22 distinct vocalization types produced by adults and 11 vocalization types within the babbling bouts of the neonates. A comparison within the otter subfamily suggests a relation between vocal and social complexity, with the giant otters being the socially and vocally most complex species.

Conflict of interest statement

Competing Interests: The authors have declared that no competing interests exist.

Figures

Figure 1
Figure 1. Exemplary calls for the vocal repertoire of giant otters.
Calls were obtained from wild and captive individuals. The spectrograms depict frequency over time and were generated using a 1024-point FFT and a Hann window with 75% overlap. The oscillograms show pressure changes over time. a) Cohesion: contact and coordination calls. From left to right: bark, close call, contact call, contact call gradation, hum, hum gradation, hum short, isolation call, whistle, whistle double, and underwater call. b) Alarm calls. From left to right: growl, hah!, snort, and wavering scream. c) Begging calls. From left to right: ascending scream, begging call, begging scream, begging scream gradation, and whine. d) Other calls. From left to right: mating call and suckling call.
Figure 2
Figure 2. Signal space of the giant otters’ adult vocal repertoire defined by the first two discriminant functions.
Symbols indicate group centroids. Discriminant function 1 was mainly shaped by the peak frequency within subunit 1 and the fundamental frequency at 1/3 duration of the entire call (combined in one principal component). Discriminant function 2 was mainly shaped by the average entropy in the subunits 2 and 3 (combined in another principal component).
Figure 3
Figure 3. Exemplary calls from neonate giant otters.
Vocalizations were recorded from one wild and one captive litter. The spectrograms depict frequency over time and were generated using a 1024-point FFT and a Hann window with 75% overlap. The oscillograms show pressure changes over time. a) Begging call-like vocalization. b) Contact call-like vocalizations. c) Distress call 1. d) Hums. From left to right: bark-like call, hum-like call, and distress call 2. e) Hum gradation-like vocalization. f) Suckling call. g) Whistles. From left to right: high whistle, whistle, and low whistle.

Similar articles

See all similar articles

Cited by 3 articles

References

    1. Fitch WT, Hauser MD (1998) Unpacking ‘honesty’: vertebrate vocal production and the evolution of acoustic signals. In: Simmons AM, Fay RR, Popper AN, editors. Acoustic Communication (Springer Handbook of Auditory Research). New York: Springer. 1–44.
    1. Seyfarth RM, Cheney DL, Bergman TJ (2005) Primate social cognition and the origins of language. Trends Cogn Sci 9: 264–266 10.1016/j.tics.2005.04.001 - DOI - PubMed
    1. Ramsier MA, Cunningham AJ, Finneran JJ, Dominy NJ (2012) Social drive and the evolution of primate hearing. Philos Trans R Soc Lond B Biol Sci 367: 1860–1868 10.1098/rstb.2011.0219 - DOI - PMC - PubMed
    1. Fitch WT (2000) Skull dimensions in relation to body size in nonhuman mammals: the causal bases for acoustic allometry. Zoology, 103, 40–58.
    1. Fant G (1960) Acoustic theory of speech production. The Hague: Mouton de Gruyter.

Publication types

Grant support

The German Academic Exchange Service (https://www.daad.de/de/index.html) granted a short time stipend for graduate students to CASM, D/10/520, which covered the travelling expenses for the data collection in Peru from September 12th to December 8th in 2011. The Landesgraduiertenförderung Baden-Württemberg (https://www.studieninfo-bw.de/studieren/studienfinanzierung/stipendien/leistungsstipendien/landesgraduiertenfoerderung/) is funding the graduate study of CASM, funding number 1104, 2012-2014. The funders had no role in study design, data collection and analysis, decision to publish, or preparation of the manuscript.
Feedback